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Collection of programmes (1917-34)

Collection Summary

Collection Title

Collection of programmes (1917-34)

Unique Identifier

C.186.d.1.

Description

Programmes of concert, opera and theatre performances given in Berlin and other European cities between 1917 and 1927, compiled by Lily Marian Rosenberg and bound in two volumes, each beginning with a handwritten index.

Only programmes relating to concert performances are recorded in detail here.

For the most part, programmes are listed below in the order in which they are bound. Those performances forming part of a series during any individual season are listed together at the point of the programme for the earliest performance. The tract numbers are provided to indicate where this has happened.

Unless otherwise stated below, documentation takes the form of a programme and wordbook. Where no city is stated, the venues are in Berlin.

Volume 1 (1919-22)
6.
11 May 1919, Singakademie: Moderne Lieder, including music by Max Reger, Gustave Mahler, Richard Strauss and Leo Blech, performed by Cläre Dux. This was the last of 6 concerts entitled ‘Das deutsche Lied', presented by the Lessing Hochschule in association with ENDEKA (Neue Deutsche Konzertgesellschaft), accompanied by Otto Bake and given under the general direction of Leo Blech.

13. (bound as tract 8)
19 November 1919, Opernhaus Unter den Linden [Staatsoper Unter den Linden]: Konzert des Opernchors, including a setting of the 13th Psalm by Liszt and Beethoven, Symphony No. 9, given by Marie Gerhard (soprano), Karin Branzell (alto), Alexander Kirchner (tenor) and Baptist Hoffmann (baritone), with the Kapelle der Staatsoper and the Opernchor der Staatsoper, conducted by Max von Schillings.

9.
23 September 1919, Beethoven-Saal: Lieder-und Balladen-Abend, Lula Mysz-Gmeiner (vocal), accompanied by Eduard Behm.

10, 12, 14, 24 and 26.
19 October, 16 November and 7 December 1919, 14 March and 10 May 1920, Philharmonie: klassisches Sonntag-Nachmittags-Konzert.
1. Barbara Kemp (vocal), Willy Burmester (violin) and Willy Bardas (keyboard).
2. Birgit Engell and Rudolf Laubenthal (vocal), Die Berliner Trio-Vereinigung (Mayer-Mahr, Wittenberg, Grünfeld), Rob. Koenecke (viola) and Max Poike (contra-bass), accompanied by Otto Bake. Held with this programme is a printed insert documenting the replacement of Frau Birgitt with Frau Lotte Loenhard.
3. Ludwig Wüllner, Meta Zlotnicka and Gertrud Fischer-Maretzki (vocal) and Conrad Ansorge (piano), accompanied by Otto Bake.
4. Elisabeth van Endert and Carl Clewing (vocal) and Eduard Erdmann (piano), accompanied by Clemens Schmalstich.
5. Requiem von Verdi, with Barbara Kemp, Sigrid Hoffmann-Onegin, Robert Hutt and Paul Bender (vocal) and the Bruno Kittel’scher Chor. Historical note.

11
[4 November 1919], Dom: Brahms, Ein deutsches Requiem. This wordbook, which contains a brief historical note by Richard Barth, is dated only by a handwritten annotation.

8. (bound as 13.)
21 June 1919, Aula der Luisenschule: Liederabend, Dore Busch (soprano) and Margarete Osman (violin).

15.
25 December 1919, Marmor-Saal Zoo: Arien-Abend, Claire Dux (vocal), accompanied by Bruno Seidler-Winkler.

16.
6 January 1920, Bechstein-Saal: Vokal-Quartett (Lotte Leonard, Therese Bardas, Willi Schmidt and Wilhelm Guttmann), accompanied by Willy Bardas and Dr. Jokl.

17-21 and 23.
1, 8, 15, 22 and 29 February and 7 March 1920, Singakademie: 6. Sonntag-Vormittags-Konzerte entitled Das Deutsche Lied, with the following performers (accompanists in brackets).
1 February: Hertha Stolzenberg (Dr Felix Günther).
8 February: Carl Clewing (Clemens Schmalstich), Lieder von Schumann.
15 February: Paul Bender (Michael Raucheisen), Balladen und Lieder von Löwe.
22 February: Mafalda Salvatini (Felix Günther), Lieder von Brahms und Liszt.
29 February: Heinrich Schlusnus (Felix Günther), Lieder von Wolf und Mahler.
7 March: Elisabeth van Endert (Felix Günther), Moderne Lieder.

22.
3 March 1920, Besten des Säuglingsheims, Ramler Strasse 38: Wohltätigkeitskonzerts, with Therese Diehn-Slottko, Friedel Hintz and Margarete Barbs-Krause (vocal).

28.
9 September 1920, Philharmonie: 1. Außerordentliches Orchesterkonzert. Mahler, Kindertotenlieder and Symphony No. 5, with Olga Schaeffer (vocal), directed by Heinz Unger. This document includes a list of the committee members for the concert and brief historical notes.

29.
27 September 1920, Philharmonie: I. Meister-Konzert mit dem Philharmonischen Orchester, Beethoven, directed by Bruno Walter with Ludwig Wüllner (vocal). Handbill.

30, 33 and 34.
17 October, 14 and 28 November 1920, Sing-Akademie: the first, third and four performances of the 4 Sonntag-Vormittags-Konzerte entitled Das deutsche Lied, given by Emmi Leisner (Brahms), Heinrich Schlusnus (Hugo Wolf), and Hertha Stolzenberg (Robert Schumann) respectively, all accompanied by Felix Günther.

31 and 32.
25 October and 8 November 1920, Philhamronie: II. and III Philharmonisches Konzert, directed by Arthur Nikisch with Maria Pos-Carloforte (vocal, 25 October) and Moriz Rosenthal (piano, 8 November). Both documents include extensive historical and analytical notes, with musical examples.

35 and 39.
10 December 1920 and 8 January 1921, Philharmonie and Blüthner-Saal: the second and third of 6 Schüler-Symphonie-Konzerte mit Solisten, given by the Philharmonischen Orchester and directed by Felix M. Gatz. The series is described as offering illustrated performances of the symphonies of Beethoven (Sämtliche Symphonien von Beethoven mit erläuternden Vorträgen) and both of these concerts featured Fela Roonfelt (piano) and Dr Leopold Schmidt (Vortragender).

36.
16 December 1920, Luisenschule: Beethoven-Feier. Handbill.

37.
18 December 1920, Klindworth-Scharwenka-Saal: Fröhliche Stunden für Groß und Klein, with Resi Langer (speaker) and Frida Siewert-Michels (vocal). Music by Lena Stein-Schneider, accompanied by the composer. Handbill.

38.
20 December 1920, Meistersaal, Köthener Strasse 38: Berliner Vokal Terzet (Else Knüttel, Käthe Aulich and Elisabeth Böhm), accompanied by Maria Andree.

40 and 44.
9 January and 6 March 1921, Sing-Akademie: first and second of the 4 Sonntag-Vormittags-Konzerte entitled Das deutsche Lied (II. Folge). These performances were given by Cornelis Bronsgeest (Balladen von Loewe) and Margarete Arndt-Ober (Cornelius-Wagner-Liszt), accompanied by Clemens Schmalstich and Arthur Arndt respectively.

41.
18 January 1921, Konzertsaal der Staatliche akademie, Hochschule für Musik zu Berlin: Zweite öffentliche Aufführung (dem Gedächtnis Max Bruch’s gewidmet), directed by Prof. Siegried Ochs. Music by J. S. Bach and Max Bruch, given by Helge Lindberg, Willy Schmidt, Ruth Arndt, Margarete Kroo and Emmy Brandstaeter (vocal), Fritz Flemming and Theodor Menge (oboe d’amore), Walter Fischer (organ) and Gertrud Marcus (piano). The document carries some minor handwritten corrections to the list of performers.

42.
30 January 1921, Schiller-Theater Charlottenburg: Sonntag-Mittags-Konzerte. Zweites Konzert, given by a string quartet of Waldemar Lütschg, Bernhard Dessau, Robert Könecke and Fritz Becker, with Claire Huth (vocal), accompanied by Max von Schillings.

47.
An undated wordbook for Schubert, Die Schöne Müllerin. A handwritten annotation aligns this with a performance given on 9 April 1921 in Baden-Baden.

48.
20 April 1921, Grosser Bühnensaal, Kurhaus, Baden-Baden: Sonder-Konzert des Städischen Orchesters with Josef Mann (tenor), directed by Paul Hein.

55.
18 September 1921, Scala: Konzert … mit Orchester, directed by Walter Meyer-Radon. Handbill.

56.
25 September 1921, Singakademie: II. Nachmittags-Konzert with Heinrich Schlusnus, Julius Dahlke (piano) and Walter Schulz (cello), directed by Bruno Seidler-Winkler.

58.
29 September 1921, Philharmonie: Abschieds-Konzert, Claire Dux (vocal), accompanied by Bruno Seidler-Winkler.

59.
9 October 1921, Theatre am Kurfurstendamm: Recital of music by Hugo Wolf given by Heinrich Schlusnus (vocal), accompanied by Bruno Seidler-Winkler.

60, 62 and 70.
16 October, 13 November and 12 March 1921, Sing-Akademie: first, second and sixth of 6 Sontags-Vormittags-Konzerte entitled Das Deutsche Lied. These performances were given by Cornelis Bronsgeest (Schubert, Die schöne Müllerin), Hertha Stolzenberg (Hugo Wolf) and Gertrud Bindernagel (Brahms and R. Strauss), all accompanied by Felix Günther.

63.
11 December 1921, Philharmonie: Heinrich Schlusnus (vocal) and Leonid Kreutzer (piano), accompanied by Felix Günther.

64a.
20 January 1922, Konzertsaal, Hochschule für Musik: Zweite Offentliche Aufführung. Handwritten programme.

67.
17 February 1922, Philharmonie: Konzert mit dem Philharmonischen Orchrester, directed by Heinz Unger, with Eleanor Spencer (piano) and Ida Harth-zur Nieden and Ludwig Hess (vocal).

69.
25 February 1922, Dom: Domkonzert, given by the Domchoir, directed by Hugo Rüdel, the Klingler Quartet (Karl Klingler, Richard Heber, Fridolin Klingler and Max Baldner) with Walter Fischer (organ).

71.
18 March 1922, Philharmonie: Beethoven-Abend, Conrad Ansorge (piano).

74.
10 April 1922, Großen Saal der Hochschule für Musik: J. S. Bach, Matthäuspassion, with Johanna Behrend, Eva Jekelius-Lissmann, Ludwig Hess, Gerhard Jekelius, Hermann Schey (vocal) and the Blüthner-Orchester, with Fritz Schink (organ), the Akademischer Choir, directed by John Petersen. This handbill also includes notice of a performance of Handel, Messia[h], given in the Berlin Konzerthaus on 14 April by Johanna Behrend, Regina Petersen, Alexander Kirchner and Eduard Kandl (vocal), woth Fritz Schink (organ).

76.
15 May 1922, Dom: Domkonzert given by the Domchor, with Gertrud Bindernagel (soprano) and Prof. Walter Fischer (organ), conducted by Hugo Rüdel.

77.
19 May 1922, Philharmonie: Letztes Konzert Burmester, with Emerich Kris (violin) and Willy Burmester (piano).

83.
18 September 1922, Philharmonie: I. Konzert mit dem Philharmonischen Orchester, including Mahler, das Lied von der Erde, directed by Bruno Walter with Maria Olszewska and Fritz Krauss.

84.
28 September 1922, Philharmonie: Lieder-Abend, Heinrich Schlusnus, accompanied by Michael Raucheisen.

85.
5 October 1922, Philharmonie: Abschieds-Konzert, Sigrid Onegin (vocal), accompanied by Michael Raucheisen.

88.
18 October, Saal der Singakademie: Beethoven-Abend, Télémaque Lambrino (piano).

89.
24 October 1922, Philharmonie: Konzert mit dem Philharmonischen Orchester, directed by Paul Scheinpflug. Handwritten programme for Verdi, Requiem, given by Robert Hutt, Alexander Kipnis, Matalda Salvatini and Paulin Dobert (vocal).

90.
28 October 1922, Beethoven-Saal: Konzert mit dem Philharmonischen Orchester with Rudolf Polk, directed by Werner Wolff. Handbill.

91.
1 November 1922, Blüthnersaal: Tanz-Nachmittag, ‘Niddy Impekoven’, with Das Mahlke-Trio.

Volume 2 (1923-27)
0.
29 January 1923, Philharmonie: VII. Philharmonisches Konzert, with Carl Flesch (violin), directed by Wilhelm Furtwängler. Historical and analytical notes, with musical examples.

1.
5 February 1923, Blüthner-Saal: Jüdischer Liederabend von Leo Gollanin, accompanied by Ida Gollanin.

2 and 7.
9 February and 14 March 1923, Konzertsaal: second and fourth öffentliche Aufführung, given by the Hochschule für Musik zu Berlin, directed by Siegfried Ochs. Alfred Wilde (vocal), the choir of the Hochschule and the Berliner Sinfonie-Orchester (9 February). Lotte Leonard, Ruth Arndt, Sidny Biden and Eduard Kandl (vocal), Fritz Kleiner (organ) and Gertrud Marcus (piano) in Handel, Israel in Aegypten (14 March).

9.
5 April, Sing-Akademie: Kammermusik-Abend, Klingler-Quartett (as above). Handbill.

11.
23 April 1923, Blüthner-Saal: Letzter Lieder-Abden, Brodersen (vocal), accompanied by Linde Brodersen.

14.
7-9 June, Philharmonie: Oesterreichische Musikwoche, Schoenberg, Gurrelieder, with the Philharmonische Orchester and Bruno Kittelschen Chor. Gertrud Bindernagel (soprano), Cahier (alto), Hans Nachod (tenor), Georg A. Walter (tenor), Artur Fleischer (bass) and Wilhelm Klitsch (speaker). Historical and analytical notes, with musical examples.

15.
[12 November 1923, Beethovensaal]: Liederabend, Oifa Bergmann. Date given only as a handwritten annotation.

16 and 17.
6 December 1923 and 3 January 1924, Saal der Singakademie: III and IV Kammermusikabend, the Klingler-Quartet (as above) with Karl Wendel (viola, 6 December) and Woldemar Conrad (clarinet, 3 January). Handbills.

19.
3 March 1924, Philharmonie: IX Philharmonisches Konzert. Mahler, Symphony No. 3 with Hilde Ellger (vocal), the Berliner Cäcilienchor (directed by Heinz Unger) and the Knabenchor der Nicolaikirche, conducted by Wilhelm Furtwängler. Historical and analytical notes, with musical examples.

21.
18 September, 16 and 23 October, 27 November, 4 and 18 December 1924, and 8 January 1925, Philharmonie: prospectus with programmes for the Beethoven-Zyklus, given by the Philharmonischen Orchester and directed by Georg Schneevoigt. The concerts featured the following soloists: 1. Melanie Kurt (vocal); 2. Artur Schnabel (piano); 3. Carl Flesch (violin); 4. Nicolai Orloff (piano); 5. Leonid Kreutzer (violin), Josef Walfsthal (cello), Gregor Piatigorsky (piano) and Zinaida Jurjevskaja (vocal); 6. Ingeborg Holmgren, Agnes Lenbach, Ernst Bauer and Wilhelm Guttmann (vocal) and the Berliner Cäcilienchor; 7. Leonid Kreutzer (piano). Historical and descriptive notes.

22 and 32.
2 October and 11 December 1924, Philharmonie: I. and III. Gesellschaftskonzert mit dem Philharmonischen Orchester, directed by Heinz Unger. The concert on 11 December featured Tibor Szatmari (piano). Historical and descriptive notes.

23.
5 October 1924, Beethoven-Saal: 3. Lieder-Abend, Ludwig Wüllner (vocal), accompanied by Coenraad V. Bos. This document includes a photo of Wüllner.

24.
13 October 1924, Beethoven-Saal: Chopin-Abend, Leonid Kreutzer (piano). Handbill.

30.
5 December, Opernhaus Berlin Unter den Linden [Staatsoper Unter den Linden]: Sinfonie Konzert, directed by Erich Kleiber. Historical and descriptive notes, with photos.

31.
9 December, Philharmonie: Konzert, zum Besten der bedürftigen Studierenden der Staatlichen Akademischen Hochschule für Musik, with Fritz Kreisler (violin), directed by Leo Blech.

33.
15 December 1924, Grotrian Steinweg-Saal: Alte Muisk auf dem Cembalo, Anna Linde, with Louis van Laar (violin) and Fritz Rupprecht (cello). Handbill.

35.
29 December, Philharmonie: II Konzert mit dem Philharmonischen Orchester, Artur Schnabel (piano), directed by Otto Klemperer. Historical and analytical notes, with musical examples.

36.
22 January 1925, Beethoven-Saal: II. Chopin-Abend, Ignaz Friedman (piano). Handbill.

37.
5 March 1925, Beethoven-Saal: Beethoven-Abend, Frederic Lamond (piano). Handbill.

38.
9 March 1925, Konzertsaal der Hochschule: Vierte öffentliche Aufführung, including works by Schutz and J.S. Bach, given by Eva Bruhn (soprano), Frieda Cornelius (alto), G. A. Walter (tenor) and Sidney Biden (bass) with Fritz Kleiner (organ), Gertrud Marcus (piano) and the choir and orchestra of the school, directed by Siegfried Ochs.

39.
14 March 1925, Großen Saale der Staatl. Akademie Hochschule für Musik: Konzert, with Marta Thanner-Offer (soprano), Hertha Dehmlow (alto), Ludwig Heß (tenor), Albert Fischer (bass), Dr. Max Seiffert (piano) and Prof. Wolfgang Reimann (organ) and Der Madrigalchor of the school and a chamber orchestra drawn from the Philharmonic orchestra.

40.
21 and 22 March, Berliner Sportpalast: Zwei Konzerte des Don-Kosanken-Chors, directed by S. Jaroff. This document includes photos of the ensemble.

41.
2 April, Alte Garnisonkirche: Deutsche Kirchenmusik vom Ende des 16. Jahrhunderts bis Joh. Seb. Bach, with Emmi Leisner (vocal) and Prof. Walter Fischer (organ) and the Madrigalchor der Staatlichen Akademie für Kirchen- und Schulmusik, directed by Carl Thiel.

43.
28 January 1926, Beethoven-Saal: Konzert mit Kammer-Orchester and Rose Walter (vocal), directed by Fritz Stiedry.

46.
25 February 1926, Singakademie: Konzert mit Kammer-Orchester, Edwin Fischer (piano), Lotte Leonard (vocal), Nicolas Lambinon (violin) and Walter Kramer (flute).

47.
16 March 1926 [no venue]: Abend für altungarische Musik, presented by the Gesellschaft der Freunde des Ungarischen Instituts. Handbill.

48.
17 March 1926, Konzertsaal der Staatlische akad. Hochschule für Musik, Charlottenburg: Niederländische Kunst und ihr Einfluß auf die Gegenwart, with Der Madrigalchor, directed by Dr. Johannes Wolf[f].

50.
29 September 1926, Sing-Akademie: Erstes Abonnements-Konzert, J.S. Bach, Kantaten, with Gertrude Förstel, Emmi Leisner, G. A. Walter and Albert Fischer (vocal), Fritz Heitmann (organ) and Das Philharmonische Orchester.

51.
30 September-3 October, Sing-Akademie, Philharmonie and Berlin Dom: Prospectus, with a complete set of programmes for the Vierzehntes Deutsches Bachfelt, directed by Dr Georg Schumann, Professor Siegried Ochs and Dr Carl Thiel. The Festival consisted of five Chor-Konzert, an Orchester-Konzert, a Kammer-Konzert, various organ recitals, and a Festival Service. The prospectus carries historical and analytical notes, with musical examples, for all performances. Bound with this document are separate programmes for the first Chor Konzert (with Der Madrigalchor der Staatlichen Akademie für Kirchen und Schulmusik, directed by Prof. Dr. Carl Thiel) and for the Festival Service (3 October).

52, 54, 59, 62.
9 October and 24 November 1926 and 12 January and 15 February 1927, Bechstein-Saal: Freunde alter Musik. These concerts were respectively entitled Kammermusik in Frankreich/England/Deutschland/Italien um 1700.
1. Birgit Engell (vocal), Alice Ehlers (cembalo), Alma Moodie and Nora Williamson (violin), Eva Heinitz (cello) and Gustav Krebs (flute).
2. Marianne Mathy (vocal), Alice Ehlers (cembalo), Annie Steiger-Betzak and Nora Williamson (violin) and Paul Hermann (cello).
3. Lotte Leonard (vocal), Alma Moodie (violin) and Alice Ehlers (cembalo).
4. Alice Ehlers, Adelheid Armhold, Georg Kulenkampff and Paul Hermann.

53.
Undated: Farblichtmusik von Alexander László, with Matthias Holl and Bruno Röhrl. Handbill.

55.
9 December 1926: Signakademie: Alte Vokal- und Cembalomusik, given by the Berliner Frauen-Terzett (Katharina Kirchheim, Mary Hahn and Else Wachsmann, vocal), with Anna Linde (cembalo) and Leopold v. Klebek (piano).

56.
11 December 1926, Beethovensaal: Klavier-Abend, Eduard Erdmann.

57.
14 December 1926, Konzertsaal, Staatlische akademische Hohschule für Musik: Musik und Gebärde, Szenen aus Opernwerken von Gluck bis Wagner, with Prof. Anna Bahr-Mildenburg (vocal), accompanied by Dr. Ernst Jokl.

58.
5 January 1927, Grotrian-Steinweg Saal: Klavier-Abend, Walter Lang, Werke von Mozart.

60.
15 January 1927, Beethoven-Saal: Konzert mit Kammer-Orchester, Käte Ravoth (vocal), directed by Dr Ludwig Landshoff with Anna Linde (cembalo).

61.
25 January 1927, Meistersaal: Die Schöne Magelone, Ein Lieder-Cyclus von Brahms, with Rosel Haeuber (soprano), Poul Madsen (tenor), Prof. Eduard Behm (piano), and Dr Heinrich Michaelis.

63.
21 February 1927, Singakademie: Alte Musik auf Alten Instrumenten, with Alice Ehlers (cembalo), Paul Hindemith (viola da gamba), Rudolf Hindemith and Walter Casper (viola d’amore) and a chamber orchestra (members listed). Given in association with the ‘Freunden alter Musik’.

64.
2 March 1927, Philharmonie: Morgenfeier, with the Philharmonischen Orchesters (directed by Johannes Senstleben) to mark the 25th Jubilee of the Bruno Kittelschen Chors.

65.
26 May 1927, Konzertsaal, Hochschule für Musik: Konzert to mark the centenary of the death of Beethoven, including the Symphony No. 9 with Edith Maasberg, Maria Peschken, Werner Rosenthal and Alfred Göbel (vocal). This document carries a complete list of the orchestral ensemble, directed by Julius Prüwer. Held with this document is a volume of essay on Beethoven with programmes for a series of Festival performances of his music given between 25 and 28 March.

67.
19-21 April 1927: prospectus for the Deutscher Kongreß für Kirchenmusik, held under the auspices of the Staatl. Akademie für Kirchen-und Schulmusik. All the remaining items in this volume constitute programmes for performances given as part of this event.

68.
19 April 1927, Konzertsaal der Hochschule für Musik: Konzert des Staats- und Domchors, directed by Hugo Rüdel with Fritz Kleiner (organ).

69.
20 April, St. Marien Kirche: Service sheet, with words and musical examples.

70.
20 April 1927, Kaiser Wilhelm-Gedächtniskirche: Deutsche Kirchenmusik von Scheidt bis Bach, with Der Madrigalchor der Staatl. Akademie für kirchen- und Schulmusik, directed by Carl Thiel with Fritz Heitmann (organ). Handbill.

71.
21 April, Basilica St. Hedwig: Feierlicher Abendgottesdienst, Werken der alteren klassischen Polyphonie.

72.
21 April, Alte Garnisonkirche: Vorsührung neuzeitlicher Orgelwerke, with Prof. Alfred Sittard.

73.
22 April 1927, Theatersaal der Akad, Hochschule für Musik: Music by Ludwig Weber and Franz Bachmann.

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1917 - 1934

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British Library, Music Collections

96 Euston Road London NW1 2DB United Kingdom

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