A collection of four programmes from the Montpellier Rotunda, from 1833 to 1951.

14/09/1833
The concert was entitled "Morning Concert" and presented by Mr. Dorn. The concert included instrumental and vocal items, including music for harp, flute, horn and piano. The concert included the following performers: Pio Cianchettini (piano and conductor); Mr D'Arcis (flute); Miss Powell (vocalist); Mr Gustavus Holst (harp); Mr Dorn (horn); Mr Klussman (horn).

04/10/1834
The concert was entitled "Grand Morning Concert" and presented by Madame and Signor Garcia. The concert featured vocal solos and small ensembles. The vocalists were as follows: Madame Garcia, Mr Sapio, Mr Lacroix and Mr Conrad Boisragon. Instrumentalists were listed as Mr Pio Cianchettini (also listed as a conductor), Mr Baumann (bassoon, and the concert also included some of his own compositions) and Signor Garcia (conductor).

11/09/1840
The concert was entitled "Grand Morning Concert". The majority of items in the concert were solo vocal items. The concert included the following performers: Signor Rubini, Signor Nigri and Madame Persiani. In addition, Signor Puzzi (horn) and Mr Pio Cianchettini (pianoforte) featured in the concert. The concert was conducted by Signor Nigri.

21/07/1951
A programme from an exhibition, given as part of the Cheltenham Festival of British Contemporary Music.

1833 - 1951

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Not Specific

• Baumann, Mr -
• Boisragon, Conrad -
• Cheltenham Festival of British Contemporary Music -
• Cianchettini, Pio -
• D'Arcis, Mr -
• Dorn, Mr -
• Garcia, Madame -
• Garcia, Signor -
• Holst, Gustavus -
• Klussman, Mr -
• Lacroix, Mr -
• Nigri, Signor -
• Persiani, Madame -
• Powell, Miss -
• Puzzi, Signor -
• Rubini, Signor -
• Sapio, Mr. -

• Montpellier Rotunda, Cheltenham

• 19th century - early 1800-1836
• 19th century - early Victorian 1837-1850
• 20th century - mid 1931-1970

Centre for Performance History Prince Consort Road London London SW7 2BS Bangladesh

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cph@rcm.ac.uk

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The Centre for Performance History was created in 2004 through the amalgamation of the Department of Portraits and the Museum of Instruments (see the separate entry for the Museum. The College has acquired portraits throughout its history since 1883 and the Centre posseses the most comprehensive collection of portraits of musicians in the UK, amounting to some 346 original portraits and 10,000 prints and photographs. In addition to the iconographical collections and their documentation, the department houses other categories of source material - most notably the largest collection of concert programmes in this country, comprising some 600,000 items dating from 1780 to the present day.