SearchGetRecordLéon Goossens
Collection Summary
Collection Title
Léon Goossens
Description
Programmes relating to the career of British oboist Léon Goossens (1897-1988). Includes concerts with Goossens as soloist, chamber musician and orchestral player, and covers London, Great Britain and concerts world-wide.
The collection consists of: London (2 boxes, including South Bank centre collection); Royal Albert hall (1 box); Provincial (9 boxes); Foreign (2 boxes; the 2nd also includes Wigmore hall and Queen's hall (London) collections); Miscellaneous (1 box).
Most of the material falls into one of the following categories, each facet being approximately a third of the contents of the collection: oboe/piano recitals, chamber music recitals and soloist with orchestral accompaniment. In addition, the boxes show evidence of mixed programming concerts: there are concert programmes for combinations such as choral concert with section of oboe/piano music, orchestral concerts with section of oboe/piano music and mixed piano/oboe plus other chamber music programmes. In addition to the oboe, Goossens also exposed audiences to both the oboe d’Amore and the cor anglais as solo instruments.
Orchestral concerts:
Goossens’ orchestral repertoire included concerti by Marcello, Mozart, Cimarosa, Pergolesi, Albinoni and Bach. He also championed the work of British composers such as Rutland Boughton, Gordon Jacob and Malcolm Arnold, as well as the flugal concerto by Gustav Holst. Goossens gave early British performances of the Strauss oboe concerto. Goossens played with various orchestra and conductors, including a significant number of string orchestras. Common collaborators included the Boyd Neel Orchestra (particularly in provinces) and the Jacques Orchestra (in London)
Chamber Concerts:
The Mozart oboe quartet formed the staple of Goossen’s chamber repertory, but his performances also included works by Bach, Haydn and Boccherini. Other than this older repertory, Goossens almost exclusively performed British chamber works. The most significant of these include the Phantasy Quartets by Britten and E.J. Moeran. Goossens played with various string ensembles, usually pre-existing groups. This often was a string trio, but also included string quartets and other combinations of instruments. The most common collaborator for chamber music was the Carter String Trio; some concerts featured the Griller and Hirsch string quartets.
Piano/oboe recitals:
Goossen’s repertoire can be loosely divided into 3 groups: older music (most commonly Loeiller, Fiocco, William Babell, Sammartini, Bach, Handel, Rameau, Senaille and Purcell), contemporary British/Irish music (most commonly Michael Head, T.S. Kelly, Reizenstein, Dunhill, Gordon Jacob, Malcolm Arnold and Alan Richardson) and 19th and early 20th century French music (most commonly Ravel, Faure, Franck, Barthe, Hüe and Pierne). Works by Kronke, Alec Templeton, Morgan Nicholas and Sigtenhorst Meyer also featured heavily in his repertoire. Goossen’s repertoire included works arranged for oboe; either works which carried the arranger’s name (e.g. Scarlatti-Bryan) or unnamed adaptations (e.g. excerpts from Bach’s Easter Oratorio). Goossen’s recitals often contained series of 4-6 short works, mixing and matching short works from all 3 types of repertory. This often made a combination of 10 or more composers per recital. Though Goossens performed the “big” French sonatas of Saint-Saens and Poulenc, they are only represented in isolated concerts in this series of provincial programmes. Goossens played with many different pianists, but common collaborators were the pianists Mabel Lovering as well as Ivor Newton and Iris Loveridge.
The collection consists of: London (2 boxes, including South Bank centre collection); Royal Albert hall (1 box); Provincial (9 boxes); Foreign (2 boxes; the 2nd also includes Wigmore hall and Queen's hall (London) collections); Miscellaneous (1 box).
Most of the material falls into one of the following categories, each facet being approximately a third of the contents of the collection: oboe/piano recitals, chamber music recitals and soloist with orchestral accompaniment. In addition, the boxes show evidence of mixed programming concerts: there are concert programmes for combinations such as choral concert with section of oboe/piano music, orchestral concerts with section of oboe/piano music and mixed piano/oboe plus other chamber music programmes. In addition to the oboe, Goossens also exposed audiences to both the oboe d’Amore and the cor anglais as solo instruments.
Orchestral concerts:
Goossens’ orchestral repertoire included concerti by Marcello, Mozart, Cimarosa, Pergolesi, Albinoni and Bach. He also championed the work of British composers such as Rutland Boughton, Gordon Jacob and Malcolm Arnold, as well as the flugal concerto by Gustav Holst. Goossens gave early British performances of the Strauss oboe concerto. Goossens played with various orchestra and conductors, including a significant number of string orchestras. Common collaborators included the Boyd Neel Orchestra (particularly in provinces) and the Jacques Orchestra (in London)
Chamber Concerts:
The Mozart oboe quartet formed the staple of Goossen’s chamber repertory, but his performances also included works by Bach, Haydn and Boccherini. Other than this older repertory, Goossens almost exclusively performed British chamber works. The most significant of these include the Phantasy Quartets by Britten and E.J. Moeran. Goossens played with various string ensembles, usually pre-existing groups. This often was a string trio, but also included string quartets and other combinations of instruments. The most common collaborator for chamber music was the Carter String Trio; some concerts featured the Griller and Hirsch string quartets.
Piano/oboe recitals:
Goossen’s repertoire can be loosely divided into 3 groups: older music (most commonly Loeiller, Fiocco, William Babell, Sammartini, Bach, Handel, Rameau, Senaille and Purcell), contemporary British/Irish music (most commonly Michael Head, T.S. Kelly, Reizenstein, Dunhill, Gordon Jacob, Malcolm Arnold and Alan Richardson) and 19th and early 20th century French music (most commonly Ravel, Faure, Franck, Barthe, Hüe and Pierne). Works by Kronke, Alec Templeton, Morgan Nicholas and Sigtenhorst Meyer also featured heavily in his repertoire. Goossen’s repertoire included works arranged for oboe; either works which carried the arranger’s name (e.g. Scarlatti-Bryan) or unnamed adaptations (e.g. excerpts from Bach’s Easter Oratorio). Goossen’s recitals often contained series of 4-6 short works, mixing and matching short works from all 3 types of repertory. This often made a combination of 10 or more composers per recital. Though Goossens performed the “big” French sonatas of Saint-Saens and Poulenc, they are only represented in isolated concerts in this series of provincial programmes. Goossens played with many different pianists, but common collaborators were the pianists Mabel Lovering as well as Ivor Newton and Iris Loveridge.
Format
Date range of collection
-
Accumulation Dates
-
Suggested Audience
Not Specific
Associated People or Organisations
Associated Places
Associated Times
This collection is about
Location Details
Royal College of Music: Centre for Performance History
Centre for Performance History
Prince Consort Road
London London SW7 2BS Bangladesh Open Map
Website
Email
cph@rcm.ac.uk
Telephone
020 7 589 4340
Fax
020 7 589 7740
Visiting Information
Mon-Fri by appointment
Collections Overview
The Centre for Performance History was created in 2004 through the amalgamation of the Department of Portraits and the Museum of Instruments (see the separate entry for the Museum. The College has acquired portraits throughout its history since 1883 and the Centre posseses the most comprehensive collection of portraits of musicians in the UK, amounting to some 346 original portraits and 10,000 prints and photographs. In addition to the iconographical collections and their documentation, the department houses other categories of source material - most notably the largest collection of concert programmes in this country, comprising some 600,000 items dating from 1780 to the present day.
For details of other collections held at the same location: See the location record
Additional Collection Information
Accrual Status
Closed
Related Publications
Management Information (Type)
Collection Owner(s)
Collection Creator(s)
Collection Collector(s)
Collection Custodians(s)
Associated Collection(s)
- Sub Collection: Léon Goossens: London R-Z + South Bank Centre
